Sonata Eroica No. 2 in G Minor, Op. 50, Movement 3

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Piano Sonata No. 2 in G Minor, Op. 50, "Eroica": II. Elf-like as light as swift as possible

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Please click this link for instructions on how to enable Javascript. If you continue to see this message, your security software is interfering with your browser. Please contact your security software's customer service or if your computer has a service warranty your computer's manufacturer, and ask how to configure it to allow Javascript. The thematic material is always purposeful and never banal The pieces have a wonderful sense of continuity; the music never gets bogged down.

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And I am convinced that Peter Katin's insight into the sonatas and his understanding of the music realises these qualities. Other pianists might play these works with that thistledown prissiness and baroquish lingering affection. As Claudio Arrau once said, "We observe rests in the music but we do not turn them into cracks.

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Music to fall in love with. It has a lyricism far ahead of its time and a melodic invention that is second to none.

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The slow movement unfolds as a telling lament and the finale takes a great amount of skill to execute containing fiendishly difficult passages in thirds. It is really a splendid piece.

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Pianists should take it up without delay and be thankful to Peter Katin for his pioneering work in bringing this, and other Clementi sonatas, to our attention! Is this plagiarism by Mozart?

Works on This Recording

Piano Sonata No.2, Op (MacDowell, Edward) 4 movements. I. Slow, with nobility: II. Elf-like, as . Title, Sonata Eroica "Flos regum Arthurus" Key, G minor. Sonata Eroica No. 2 in G Minor, Op. 50, Movement 3 book. Read reviews from world's largest community for readers.

Incidently the G minor Sonata sounds like Beethoven's Eroica theme. Perhaps Mozart in his unmerited dislike for Clementi borrowed his theme as a sub conscious desire to equate himself with the older composer. Peter Katin's finger work is faultless throughout and the opening movement of the B flat Sonata highlights this.

In the andante he is successful in bringing out the music's attractiveness which is captivating. The finale is highly entertaining and the exciting bass line is imaginatively captured.

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The G minor Sonata is not as well-written. The first movement seem to be understated with a series of scalic passages and a very pleasant melody that is constantly repeated.

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Two areas given extensive treatment in Elements of Sonata Theory are the concerto and the minor mode. Allegretto con variazioni String Quartet No. References Hide All. Arrangement of Bach's fugue. Allegro Moderato Conductor: Carlo Maria Giulini. Tempo ordinario d'un Menuetto

The andante is thoughtful and serious and what a wonderful interpretation Peter Katin gives it. This is the great difference between his playing and that of others.